As such, most designers opted to buy the cheaper linear printers and work with high-resolution TIFF images however, the trade-off with productivity was huge. While EPS and TIFF worked with PostScript printers, the optional Adobe PostScript Level II software cost a small fortune compared to linear printers, which were far more affordable. When it came to photo imaging in the '90s, there were only two main formats: EPS (Encapsulated Postscript) and TIFF (Tagged Information File Format). Do you need to change formats because of evolving hardware, software and processes? Still, if the 'if it ain't broke, why fix it' approach has always been a stable way of working, sometimes you need to periodically check if other image file formats offer a better way of working while meeting standards for commercial printing. With near-on three decades in the industry naturally comes experience. Here, Dean Cook offers up some food for thought to help keep productivity up without bloating the size of your InDesign file. Some say JPEG others prefer PSD, many still use TIFF or even EPS. With four main image formats (JPEG, PSD, TIFF and EPS), choosing which image format to use is always a popular talking point with designers.
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